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The
organ arrives in two containers shipped from England. |
Can
you believe the whole instrument fit into this container? |
Parishioners
line up to help unload the second container. |
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is what is behind those locked doors at the rear of the
Parish Hall. |
Pipework
is being readied for placement in the instrument for final
voicing. |
Choirmaster
Brad Hughley aligns pipework for the Great Mixture. |
Ed
Stauff works on pipes in the workshop. |
Ed
and Manuel Rosales confer on pipe voicing. |
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Manuel
lifts a pedal division pipe to Ed. |
Ed
works inside the organ case installing the pipework on the
second level. |
These
pedal division pipes are already in place. |
These
are more pedal reed pipes on the first level. |
More
of the pipe ranks. The empty racks are awaiting their
pipes. |
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Looking
down from level two to level one. |
These
are the wooden trackers that run from the various keys to
the various pipes. |
Another
view of the trackers as they ascend from level one to level
two. |
Another
view of the trackers. When a key is depressed, these
trackers pull open a valve at the bottom of a pipe,
allowing it to speak. |
With
the music rack removed, you can see through the trackers
that run from the keydesk to the pipework at the rear of
the instrument. |
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A
closer view from the keydesk. |
The
drawknobs on the right side of the console. |
The
drawknobs on the left side of the console. |
The
entire keydesk showing the pedal pistons. |
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Some
of the wooden pipes. |
The
keydesk for the tower bells is in a compartment on the
right side of the console. |
Parishioner
& volunteer Larry DeBolt holds a Celeste pipe. |
The
voicing crew l-r
Ed Stauff, Kevin
Gilchrist, Manuel Rosales, Larry DeBolt |
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